Picture the scene…
A university lecture hall. Tiered seating. Rows and rows of business students, some even suited and booted, pens poised to take down the next nugget of macroeconomic theory.
The door flies open. Its bang - like a stone thrown in a pond - ripples through the space. The girl who hustles in creates a similar effect.
She’s not overly late, so that’s not the reason a hundred pairs of eyes fall on her.
The pencil tucked through her blond-hair is maybe a little quirky in comparison to her class-mates’ more corporate look. And the green woollen jumper - which is more holes than wool - is definitely a conversation starter: over-sized on most, on her petite frame it falls below her knees.
But in truth, it’s the purple paint-splattered trousers that really raise the collective eyebrows.
Meet our illustrator, Rachel Millson-Hill. A daub of brightness in a sea of grey.
Easel does it
Fast forward a couple of decades and a couple of kids and, happily, her degree in business is used only to facilitate the design company she now runs in Cornwall. Electing for easel over briefcase, Rachel’s design skills are called upon world-wide and her illustrations for Parenting Through Stories have given Bartley form, fur and his sense of fun.
Before the power of the story can be switched on by a parent’s voice, or the warmth of the reading experience fill a child with security and comfort , the book is selected.
The reading pair settle and the first page is turned.
It’s not actually the words in a children’s book which make the first connection to them - not least because a child requires an adult to decode them…it’s the images which must pull them in.
And Rachel’s do so with the warmth of the fuzzy hug we’d expect from Bartley Bear.
Firm Friends
Perhaps the reason the relationship between words and images in these books is so harmonious is because the people behind each aspect - Sarah and Rachel respectively - have a comparably close relationship. As with so many facets of PTS, their work on this project was preceded by their friendship.
“I have known Sarah since our oldest boys started school together at the age of five,” explains Rachel. “They became firm friends and so did we. When Sarah approached me about illustrating her books I was very excited. With two children of my own, the books struck a real chord and I couldn’t stop ideas popping into my head. I began to draw the characters on my tablet straight after our meeting.”
Tabula Rasa
This impetus to create has been a marker of Rachel’s passions since she could grab a crayon.
“Anything and everything was my canvas. I would create paint out of mud, nail varnish, food...you name it. It must have been very frustrating for my parents! We had an old farmhouse on the Yorkshire moors that my parents were renovating and I turned the crumbling walls into my own giant canvas! My family are either made up of artists or scientists, so it came as no surprise to my parents that I followed an artistic route.”
Cornwall’s rich artistic heritage makes it a natural artist enclave. After her degree in Loughborough, Rachel crossed the Tamar and has never looked back.
She exhibited paintings in galleries around the South West and as technology progressed, so did she - into the digital design world. She’s fashioned ranges of clothing, packaging and logos, however, she describes creating this picture book as a whole new adventure.
“The challenge for me was putting the books together into a printable format,” she explains. “I’m a graphic designer as well as an illustrator, so I had to think logically as to how the book would come together and be print-ready. For example, fitting the text around the illustrations so they had equal importance on the page and creating the spaces and designs for the flaps, which required me to think three dimensionally. The books have to be easy to read and visually stimulating, so logic and creativity both have to interplay, equally.”
The Big Draw
One of the reasons Bartley’s Books are so fantastic to read is that - much like plate-spinning parents! - they operate on many levels, simultaneously: gorgeous rhyme, lovely story, parent and child time and a powerful psychological impact as they embed the PACE approach. And, of course, the lift-the-flap designs within the page revealing Nudge’s questions and interactions (more on Nudge, next week).
What’s clever about Rachel’s drawings is that they too work on many levels.
We’ve noted our young test readers being enamoured with the space theme in ‘Please Stay Here, I Want You Near’, but Rachel has developed the symbolic importance of this motif. She explains further:
“My favourite page has to be the final one of Bartley in his dreams flying off in a space rocket. I love the dark space background against the bright colours of the rocket and Bartley. I feel it really stands out and symbolises a ‘take off’ into a new chapter in his life.”
She admits her favourite character is Bartley -“I’ve spent so much time with him that I feel I know him and his cheeky personality!”
“Although,” she says, “‘Doug’, his astronaut friend, is also great fun to draw. Even though he has to have the same facial expression, (being a toy), his rag-doll body can be illustrated to mirror how Bartley is feeling. I enjoyed adding these dimensions to the pages.”
It’s not just the words that work hard in Bartley’s Books - the illustrations more than pull their weight: conveying character, story and emotion in an engaging and sensitive way.
Picture Perfect
So, what are Rachel’s recommendations for fab picture books to read with kids (aside from Bartley, of course)?
“We all love Oliver Jeffers,” she enthuses. “The kids’ fave book is ‘The Way Back Home’. I especially love his expressive illustrations of the crayons in ‘The Day the Crayons Quit’: he’s very talented and very funny.
Another personal favourite is Chris Haughton who writes and illustrates 'Sshh' and 'Oh no George’, amongst others. The illustrations are simple, bright and really effective…the stories operate with very few words, so the pictures drive the story.”
Heart, Art and Bart
When you think of your favourite children’s books, I’m sure the thoughts conjured will be a powerful concoction of heart-warming stories, resonant lines and striking images.
Whether a poisonous wart on the end of a nose coupled with Axel Scheffler’s signature cartoon style, or perhaps a snozzcumber and Quentin Blake’s iconic line-drawings, the symbiotic relationship between text and image in children’s literature gives picture books their heart-beat…it brings them them to life.
Rachel’s art is at the heart of Bartley: she animated Sarah’s imagination. And in doing so, fired up our own.
…
We’re also pretty animated by the love and the talent in the partnership between Sarah and Rachel. Often creativity is seen as a lone pursuit, but the Parenting Through Stories project has become a testament to the power of the collective and the importance of team-work. And we need you to become part of the collaboration.
Our Crowdfunder to publish these books and celebrate the power of stories launches in less than two weeks…can you help us with the next chapter?
Follow the count-down to the launch on our social channels to find out how.
Until next week…Becks.
@rebeccaritsonwrites
www.rebeccaritson.com